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Fact check: Arthur actually died when Bart was 19, eight years before he wrote the song that comes pouring out of him here.

It lightens the burden of the pain people are shouldering today, and gives them something to look forward to. MPAA Rating: Running time: Executiev producers: The Erwin Brothers. Jon Erwin, Brent McCorkle; story: Camera color, widescreen: Kristopher S. McCorkle, Andrew Erwin. Fortunately, writer-director Tom Quinn has a keen eye for telling details, as well as a superb lead actress in Karen Allen, who stars as [ The order from the WGA came down Friday night after negotiations [ We know the wall-crawler will make his way to the U.

This Fast and the Furious spinoff is such a hot ticket that Universal fast-tracked it ahead of the last two core films in the franchise, and honestly, they were right. If I die in a theater, let this be the movie that sends me out.

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Chapter Two September 6. The strength of Chapter One was the great chemistry between the little Losers, but the casting for grown -up Beverly Marsh, Richie Tozier, Ben Hanscom, and the rest of the gang is strong enough to make this adult ensemble very exciting.


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Accordingly, three years after Downton Abbey went off the air, Fellowes and the Crawleys are back to give the family, and their swiftly vanishing way of life, one final curtain call. The Kitchen September 20 Widows , but a period piece: Lee has been attached to Gemini Man for a few years already, but the pure charisma of Smith can only be kept bottled up for so long, and the movie will finally arrive in theaters this year.

But, please, spare us the frames per second on this one, Lee! Joker October 4 In what is surely the biggest swing-for-the-fences moment in the history of DC Comics film adaptations, Todd Phillips will conjure up a heavily altered version of Batman arch-rival the Joker, who occupies a Gotham resembling Koch-era New York City. Joaquin Phoenix plays the titular Crown Prince of Crime, so expect some deliciously weird junket interviews.

Rogers told through the eyes of a sympathetic journalist Matthew Rhys. Stepping into the immortal cardigan is none other than Tom Hanks, a casting that seems a perfect match of star and role. Untitled Terminator Reboot November 1 Gluttons for punishment who keep seeing new Terminator movies and thinking Maybe this time will be better! Linda Hamilton is back as Sarah Connor for the first time since Judgement Day , and Mackenzie Davis joins as a character of unknown origin named Grace.

Star Wars: Episode IX December 20 After 42 years of modern mythmaking, the Skywalker saga will reportedly come to a close in the 11th feature film to bear the Star Wars imprimatur. How will the late Carrie Fisher be ushered out? Who the hell knows.


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  6. Mayhap Jaxxon will finally make his live-action debut? You enjoyed it when Christopher Nolan brought all of his considerable directorial powers to a tale of plucky British heroism in the face of overwhelming odds? Well, buckle up, buster, because Sam Mendes is here to raise the freaking stakes. Plus, nearly every white woman in Hollywood is onboard: Go ahead and tell mama!

    See it Christmas Day Taking place during a busy shopping season and following the trail of terror left by a wicked garment, In Fabric is erotic, luscious, surreal, and is a special horror treat for the giallo fanatic in your life. Jenkins looked for financing for the film during , finding success after sharing the script with the executives of Plan B Entertainment at the year's Telluride Film Festival.

    Dede Gardner and Jeremy Kleiner of Plan B Entertainment became producers of the film, [16] while A24 undertook to finance it and handle worldwide distribution, which marked the company's first production.


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    5. Different actors portrayed Chiron and Kevin in each chapter of the film. Ashton Sanders was cast in the role of teen Chiron. Naomie Harris was initially reluctant to portray Paula, stating that she did not want to play a stereotypical depiction of a black woman. She related her experiences of bullying to the addicts' attempts of escaping trauma. Romanski proposed Juan be played by Mahershala Ali , who had a role in one of her previously produced films, Kicks. Jenkins was hesitant when casting Ali due to his role as Remy Danton in House of Cards ; however, he was convinced after witnessing Ali's acting range and understanding of his character.

      Filming began on October 14, , in Miami , Florida. Liberty Square , a housing project located in the neighborhood of Liberty City , was chosen as one of the primary locations as both McCraney and Jenkins grew up in the area. During filming, Jenkins made sure that the three actors for Chiron did not meet each other until after filming to avoid any imitations of one another.

      Jenkins worked with cinematographer and longtime friend James Laxton , who previously shot Medicine for Melancholy. As a result, the three chapters of the film were designed to imitate different film stocks. The first chapter emulated the Fuji film stock to intensify the cast's skin tones. The second chapter imitated the Agfa film stock, which added cyan to the images, while the third chapter used a modified Kodak film stock. The score of Moonlight was composed by Nicholas Britell.

      Britell applied the chopped and screwed technique from hip hop remixes to orchestral music, producing a "fluid, bass-heavy score". The soundtrack, released on October 21, , consists of eighteen original songs by Britell along with others by Goodie Mob , Boris Gardiner , and Barbara Lewis. Peter Bradshaw of The Guardian , lists "love, sex, survival, mothers and father figures" among its themes, particularly the lack of a nurturing father. A major theme of Moonlight is the black male identity and its interactions with sexual identity.

      The film takes a form similar to a triptych in order to explore the path of a man from a neglected childhood, through an angry adolescence, to self-realization and fulfillment in adulthood.

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      This particular story of Chiron's sexuality is also seen as a story of race in a 'post- Obama ' era. The film amalgamates art film with hood film in its portrayal of African-American characters on-screen. This specifically deals with theme of recuperating identity, especially in terms of blackness. The characters operate in an urban working-class city in Florida but are portrayed through art house conventions to create a new space for black characters in cinema. This mirrors Chiron's own odyssey to learning who he is, as he constantly struggles with trying to find some essentialism to his identity, yet consistently fails in doing so.

      The triptych structure helps to reiterate the fragmented personality to the film and Chiron. The film's co-writer, Tarell Alvin McCraney , speaks on the topic of black masculinity in the film, explaining why Chiron went to such lengths to alter his persona. He argues that communities without privilege or power seek to gain it in other ways. He says one way in which males in such communities do this is by trying to enhance their masculine identity, knowing that it often provides a means to more social control in a patriarchal society.

      In the film, Chiron is placed in this divide as a Black gay man and alters his presentation of masculinity as a strategy to avoid ridicule because homosexuality is viewed as incompatible with Black masculine expectations. As young kids, Kevin hides his sexuality in order to avoid being singled out like Chiron is. As Chiron grows older, he recognizes the need to conform to a heteronormative ideal of Black masculinity in order to avoid abuse and homophobia.

      As an adult, Chiron chooses to embrace the stereotypical Black male gender performance by becoming muscular and a drug-dealer. Moonlight explores the effects of this felt powerlessness in black males.

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      As McCraney explains, coping with this feeling often coincides with attempts to overstate one's masculinity, in a way that can easily become toxic. He says one unfortunate side effect of leaning into masculinity too much is that men no longer want to be "caressed, or nurtured, or gentle," which is why a character like Juan may be puzzling to some audiences.

      These ideas are related to Omise'eke Natasha Tinsley's essay "Black Atlantic, Queer Atlantic," in which she claims that the slave ships of the middle passage may have allowed for the formulation queer identities and relationships amongst the black men and women below deck. She argues the formulation of queer relationships was a method of resistance, providing love and comfort to black people when there should have been none.

      Blackness, masculinity, and vulnerability are major focuses of this film. Juan says, "There are black people everywhere. Remember that, okay? We was the first on this planet. It seems that Juan seems to associate this image with vulnerability, given that he tells Chiron that he eventually shed the nickname "Blue" in order to foster his own identity. The scenes depicting Chiron in the moonlight are almost always the ones in which he's vulnerable, his intimate night on the beach with Kevin included.

      Throughout the film, this dichotomy between black and blue stands in for that between tough and vulnerable, with the black body often hovering between the two.

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      Water is often seen as cleansing and transformative and this is apparent in the film as well. Whether it be him swimming in the ocean or simply splashing water on his face, Chiron is constantly interacting with water. However, it is most notable that water is most often seen in the film in times of immense transition for Chiron. Throughout his life, Chiron resorts to water to bring him comfort ie taking baths when his mother is not home or swimming in the ocean with Juan.

      In the scene where Juan taught Little to swim, he explained to him the duality of water in relation to Black existence, a concept addressed in Omise'eke Natasha Tinsley's Black Atlantic, Queer Atlantic. The ocean is like a crosscurrent as Tinsley says, that can simultaneously be a place of inequality and exploitation as well as beauty and resistance. Tinsley describes how, "black queerness itself becomes a crosscurrent through which to view hybrid, resistant subjectivities and perhaps, black queers really have no ancestry except the black water," The film had its world premiere at the Telluride Film Festival on September 2, The film's poster reflects its triptych structure, combining the three actors portraying Chiron into a single face.

      Mark Olsen of the Los Angeles Times referred to it "as one of the most anticipated films for fall". On February 27, , the day after the Academy Awards, Calvin Klein released an underwear advertising campaign featuring four of the male actors in the film. After the Oscars ceremony, A24 announced that the film would be played at 1, theaters. The website's critical consensus reads, " Moonlight uses one man's story to offer a remarkable and brilliantly crafted look at lives too rarely seen in cinema. He praised the actors' performances and described the cinematography of James Laxton as "fluid and seductive, deceptively mellow, and shot through with searing compassion.

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